(1994), Signs series examines the relationship between public image and private identity. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. Poster, offset print on paper: 59,4 cm x 42 cm (23.4 x 16.5 in). Wearing has said: "I really liked how Roma and Emma Jones spoke of their closeness as sisters and how they supported each other. Whilst some critics have suggested that Wearing is revealing her private self in a public place, others argue that she is attempting to become someone else. On the taking of the photograph itself, Wearing has described the difficult and uncomfortable process: "Wearing the body suit ... was difficult. While on first glance, this photograph resembles photographic realism engaged with domestic scenes by artists such as Richard Billingham and Nan Goldin, the extensive time and energy put into reproducing and constructing this image radically questions our relation to photography as documentary, truth, or memory. We feel it highlights that family is an indestructible bond between people that is universal and it doesn't matter how it is made or what it looks like." It seemed a very strong bond, one of friendship and family, and the sculpture puts across that connectedness between them. Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. It follows in the spirit of her previous works that ask the public to reveal aspects of their lives, which they might generally keep hidden, including Signs (1992-93) and Confess all on Video (1994). Journalist Bernadette McNulty adds "With the faint outline of a mobile phone in one jean pocket, the statue manages to be both utterly of its time and yet timeless in its simplicity. The series was made against the backdrop of the economic decline in Britain in the early 1990s, represented by such statements as 'Will Britain get through this recession?' Gillian Wearing, Art at the End of the Millennium, publ. Gillian Wearing (b. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. Biography of Gillian Wearing Wearing's childhood was spent in Birmingham, where she lived with her parents and two siblings. McNulty, Bernadette. Although some individuals responded rudely to the artist's approach, the majority took the project seriously and were keen to collaborate. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. The sitters appear in uniform and are posed as if for a formal photograph. Inspired by documentaries, reality television, and the artifice of theater, Wearing describes her … Find artworks by Gillian Wearing (British, 1963) on MutualArt and find more works from galleries, museums and auction houses worldwide. Others include an elderly couple in a busy area holding a sign saying "I like to be in the country" and a homeless man with the statement: "I signed on [for unemployment benefits] and they would not give me nothing". Gillian Wearing was born in Birmingham and was known as one of the YBAs (she exhibited in Sensation in 1997, the same year she won the Turner Prize). See more ideas about british artist, a level photography, human condition. The confessions vary in significance and levels of impropriety, crime, and 'unacceptable' behaviours - ranging from pissing in the street, to soliciting sex workers, even to murder. 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